Catherine Bertola
CATHERINE BERTOLA | |
1995-99 | University of Newcastle upon Tyne, BA (Hons) Fine Art |
1994-95 | Calderdale College, Halifax BTEC Diploma Art and Design |
Solo exhibitions / Einzelausstellungen
2011 | To be forever known, Bronte Parsonage Museum, Howarth, GB |
2010 | Killing Time, Workplace Gallery at Open Space Art Cologne, Köln metes and bounds, (mit Pauline Kraneis) M + R Fricke, Berlin |
2009 | Unseen by all but me alone, Workplace Galley, Gateshead, England |
2008 | Over the Teacups, Galerie M + R Fricke, Berlin |
2007 | Prickings, Nottingham Castle Museum and Art Gallery |
2006 | Prickings, Fabrica, Brighton The property of Two Gentlemen, Firstsite, Colchester |
2005 | Domestic Landscapes, International 3, Manchester |
Selected Group Exhibitions / Ausgewählte Gruppenausstellungen
2012 | Alchemy, Fundació Joan Miró, Barcelona, Spain |
2011 | Personal Tempest, New Gallery, Innsbruck, Austria Cult of the Difficult, The Cass Gallery, London Being Lost, Rogue Project Space, Manchester, GB |
2010 | Scion, Barrington Court, Ilminster, Somerset, GB Walls are talking: wallpaper, art and culture, Whitworth Art Gallery, Manchester, GB Wonderwall, Temple Nesam, Leeds, GB |
2009 |
Can't forget what I don't remember, Circuit, Lausanne, Switzerland Beyond Pattern, Oriel Davies Gallery, Newtown, Wales, GB Artist Object Project, Brecknock Museum and Art Gallery Brecon commissioned by National Museum Wales, Cardiff Obsession: Contemporary Art in the Lodeveans Collection, Stanley & Audrey Burton Gallery, University of Leeds, GB The House of Bling, Tattershall Castle a National Trust Property in Lincolnshire, GB |
2008 | Kingfisher Tales, Union, London Shake before Using, Artium, Vitoria Gastiez, Spain The Enchanted Moment, Baltic, Gateshead |
2007 | Preview, Galerie M+R Fricke, Berlin Out of the Ordinary, group show at the V&A Museum, London (November) Unpicked and Dismantled, Kaunas Art Biennale, Kaunas, Lithuania (November) Isobar, Fieldgate Gallery, London (October) Moved, Workplace Gallery Gateshead Metteurs en Scène, The Embassy, Edinburgh The End Begins, The Hospital, London Extreme Crafts, CAC, Vilnius, Lithuania Art Futures, Bloomberg Space, London Lost, Found and Imagined, 28 David’s Road, London |
2006 | Fine and Fashionable, The Bowes Museum, Barnard Castle No place like home, Beacon Art Project, Bridge Farm, Bicker Blue Star Red Wedge, Glasgow International, Glasgow Opposite of Vertigo, Burren College of Art, Ballyvaughan, Eire touring Drawing Room, London |
2005 | PILOT 2, Farmiloes Building, London Zoo Art Fair, London with Workplace Gallery Imagine a world ..., Barge House, London |
2004 | Floral Habitat, Bury St Edmunds Art Gallery, Bury St Edmunds Shrinking Cities, Kunst-Werke, Berlin and tour |
2003 | Space Between Us, Friar House, Newcastle upon Tyne. Curated by SMART Project Space, Amsterdam Fragmentos, Galeria Casa Gaia, Havana, Cuba |
2002 | Pattern Crazy, Crafts Council, London CAPITAL, various venues in Newcastle upon Tyne |
2001 | REPRO, Hatton Gallery, Newcastle upon Tyne |
2000 | Site, Barrack Road, Newcastle upon Tyne as part of VANE 2000 Pattern Transfer, Waygood Gallery, Newcastle upon Tyne |
1999 | Inside Out, Adhoc Gallery, Wallsend Rocket 2, Stephenson Works, Newcastle upon Tyne. Part of VANE 99 There and Not There, Globe Gallery, North Shields |
1998 | Zest, Cross House, Newcastle upon Tyne. Part of VANE 98 |
Collections / Sammlungen
Simmons & Simmons, London, and private collections |
Bibliography / Veröffentlichungen
2006 | A dent in time, essay by Cherry Smyth to accompany the exhibition The property of Two gentlemen, Firstsite, Colchester. Prickings, publication to accompany the solo touring exhibition at Fabrica, Brighton, Bowes Museum, Barnard Castle and Nottingham Castle Gallery and Museum, with essay written by Dr Catherine Harper. |
2005 | Lost Narratives, forthcoming publication, edited by Jon Bewley, Locus +, and published by Art Editions North, Sunderland and Work and Leisure International, Manchester. |
2004 | Workplace, book published by Art Editions North. With essay Rescued Narratives, by Maeve Polkinhorn, assistant curator Tate Modern. 'here today, gone tomorrow: transient materiality' by Linda Sandino for the Journal of Design History Volume17 Number 3, published Oxford University Press. Furthermore-a book of proposals, book published by Further Afield Publications. |
2003 | Further Up in the Air, book published by Further Afield Publications. |
Commissions / Auftragsarbeiten
2006 | Frills and Flounces, commissioned by Government Art Collection, for the DCMS building, London By day, by night, commissioned for Snowdomes exhibition at the National Glass Centre, Sunderland |
2003 | Posh Doily, drawing commissioned by Locus+, Newcastle upon Tyne |
2002 | Scratching at the Surface, commissioned by Locus+, Newcastle upon Tyne Venetian Blind, commissioned by Globe Gallery, North Shields |
2001 | REPRO a collaborative project with Northern Print, North Shields, and the Centre for Life, Newcastle upon Tyne Under your feet, commissioned by Grainger Town, Newcastle upon Tyne |
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